Bio
I've been playing guitar since I was 13 and still manage to make some noise everyday. Music has been a huge part of my life - as a fan and as a wannabee musician. When I look back at some of the greatest memories, music seemed to be a critical part of the equation. I've gotten so much from the artists that helped shape my own playing and contributed to the great times I've had. (SCROLL PAST THE MIXTAPE if you seriously have nothing better to do with your time...)
To be honest, I participated in the rat race for most of my career, but I had a chance to put that all behind me when I decided to leave it and travel the world for about 6 months. It's amazing what happens when one is away from cell phones and the "crackberry." In almost every country, I took a lesson from a musician in the local language - learning bossanova guitar in Salvador do Bahia, Argentinian folk music in Buenos Aires, or the charrango in Peru were experiences that I'll never forget. I could barely speak Spanish or Portuguese, but it didn't really matter that my language skills were pathetic - our connection was through music. Most of the lessons were mostly spent about telling my story or playing American music - my teachers wanted to know EVERYTHING about me, music in the US, the rest of the world. But the music experiences were amazing - trying to play a blues riff over Andean music or introducing a tune like "Giant Steps" (Joe Pass style, of course) to my bossanova teacher, or even jamming with an Ecuadorian band to obscure Tito Puente tunes was hilarious...
The less humorous truth is that life for musicians EVERYWHERE is brutally difficult. Many of the artists that I jammed with would never leave their country or even their home towns. Many of the same evils that exist in our "cushy" lives seemed inconsequential compared to what they went through - keep in my mind that the average price for a lesson from a professional musician was about US $3 per hour. In Cusco, Peru, I spent 3 hours with one teacher and he said that the lesson was free - he gave me sheet music of the first Cuscaian compendium of local songs and a CD so I could practice - he wouldn't accept my money - I gave him a Google t-shirt... The smile that he gave me was so overwhelming that I almost lost my shit as I had to fight to keep back the tears. Man, I'm probably boring the pants off of you if you're still reading this (feels like I'm already writing a book... sorry)...
But probably the most important lesson from my travels was the realization that life is too short not to pursue what you love doing. For me, I knew that music had to be part of my life's story. And more importantly, doing something to help the creators of music, the lifeblood of the industry, yes - the artists was absolutely important.
For the first time in my life, I wake up in the morning and bound out of bed to go to work - it's the GREATEST feeling. And I feel like I'm working with some of the greatest people on earth here at Fuzz. Now it's time to give back to those very artists and the new ones that seem to spring up from nowhere everyday that help make the world a little less crazy... let's join the music uprising and let's do it now...
To be honest, I participated in the rat race for most of my career, but I had a chance to put that all behind me when I decided to leave it and travel the world for about 6 months. It's amazing what happens when one is away from cell phones and the "crackberry." In almost every country, I took a lesson from a musician in the local language - learning bossanova guitar in Salvador do Bahia, Argentinian folk music in Buenos Aires, or the charrango in Peru were experiences that I'll never forget. I could barely speak Spanish or Portuguese, but it didn't really matter that my language skills were pathetic - our connection was through music. Most of the lessons were mostly spent about telling my story or playing American music - my teachers wanted to know EVERYTHING about me, music in the US, the rest of the world. But the music experiences were amazing - trying to play a blues riff over Andean music or introducing a tune like "Giant Steps" (Joe Pass style, of course) to my bossanova teacher, or even jamming with an Ecuadorian band to obscure Tito Puente tunes was hilarious...
The less humorous truth is that life for musicians EVERYWHERE is brutally difficult. Many of the artists that I jammed with would never leave their country or even their home towns. Many of the same evils that exist in our "cushy" lives seemed inconsequential compared to what they went through - keep in my mind that the average price for a lesson from a professional musician was about US $3 per hour. In Cusco, Peru, I spent 3 hours with one teacher and he said that the lesson was free - he gave me sheet music of the first Cuscaian compendium of local songs and a CD so I could practice - he wouldn't accept my money - I gave him a Google t-shirt... The smile that he gave me was so overwhelming that I almost lost my shit as I had to fight to keep back the tears. Man, I'm probably boring the pants off of you if you're still reading this (feels like I'm already writing a book... sorry)...
But probably the most important lesson from my travels was the realization that life is too short not to pursue what you love doing. For me, I knew that music had to be part of my life's story. And more importantly, doing something to help the creators of music, the lifeblood of the industry, yes - the artists was absolutely important.
For the first time in my life, I wake up in the morning and bound out of bed to go to work - it's the GREATEST feeling. And I feel like I'm working with some of the greatest people on earth here at Fuzz. Now it's time to give back to those very artists and the new ones that seem to spring up from nowhere everyday that help make the world a little less crazy... let's join the music uprising and let's do it now...
Latest Blog Entries
fuzzygroove gave me the heads up on this article by Simon Napier-Bell which chronicles some pretty crazy stories about his life in the music industry - the good, the bad, and the ugly. He describes the medieval character of the music business and quotes an article in the WSJ that calls it the "last form of indentured servitude." I think most of us agree with these sentiments.
Nonetheless, before I'm tempted to embark on a diatribe about our industry, I highly suggest that you...
I had a chance to check out the Mary J Blige show at the Monster Cable event last night in Vegas. There were several thousand people at the show which was held at Paris and the Monster team held back on no expense putting it together - red carpets, models, goodie bags, cars, and even a pretty wild after-party.
I can't even imagine the price tag that Monster paid to host the event - whatever the case, it was a blast and they really know how to throw a party. Noel, Kevin, Seth, Melinda...
My bro suggested that I check out an indie flick called "Once." It just arrived via NetFlix yesterday and I sunk into the couch to watch it. The description on the NetFlix cover was pretty lame, but I quickly realized that there was something really great about the film. Sure, it's got that "shaky screen" element of an indie (almost like it was being filmed by a camcorder), but it's really something all artists should check out. It's about a struggling...
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thanks for making it happen!!!
The next one should be with Blaqk Audio ;) I hear they were gonna do BFD but aren't anymore because of a schedule conflict. And they were amazing live when I saw them Sunday in Irvine. Honestly, even Ry Ry thought so...and it takes a lot for Ry Ry to admit a band was really good (those musicians...so skeptical...you know!? haha)
Seriously, people would pay, fly across the ocean and sell a body part to see them at a small place. I would, but thankfully everything here is about 20 minutes away from me! haha
Did YOU have fun?