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I listened to all of your tracks, some several times. Each time, I thought that the instrumentation and the "machine" were getting in the way of a voice that should be heard if you let it develop its own distinction without trying to do what you think others are looking for.
If you want to understand what I'm trying to say here, check out the unique sound of Zaman 8 here on Fuzz. Although this group comes out of the much-overused "world music" scene, they work the tracks to develop their own voice.
I think you could do this too. For Bad Obsession, less noise and more quiet are called for. In the silence, your sound will come through. Even if we are, indeed, a happy Fuzz family [as you put it], remember not to take the easy path with too much "fuzzy" nasal harmonics. This sounds nice, but harmonics, in my ear, take away from nuance and distinction. Time to move beyond the "J-pop" sound. I think you can do it. Cheers
If you want to understand what I'm trying to say here, check out the unique sound of Zaman 8 here on Fuzz. Although this group comes out of the much-overused "world music" scene, they work the tracks to develop their own voice.
I think you could do this too. For Bad Obsession, less noise and more quiet are called for. In the silence, your sound will come through. Even if we are, indeed, a happy Fuzz family [as you put it], remember not to take the easy path with too much "fuzzy" nasal harmonics. This sounds nice, but harmonics, in my ear, take away from nuance and distinction. Time to move beyond the "J-pop" sound. I think you can do it. Cheers
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