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Hip hop and the N word
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Holy smoke! As usual, tibii* [cc: 2serenity and any one else interested in this important subject] raises a whole boatload of multi-faceted issues in his short comment to me at my profile page on November 25, 2:25 AM regarding hip hop and use of the N word.
I haven’t read Beverly Tatum’s work, “Why Are All the Black Kids Sitting Together in the Cafeteria”, that tibii cites; but I often observe, as we all have, to this day the same-race “cafeteria phenomenon” which is, not surprisingly, quite the common norm in any multi-racial environment. Based on my own conversations with several scholars who have devoted their lives researching and writing about this tendency to hang-out with your “peer group” that is racially defined, I realize that the academic and popular literature on this subject is staggering.
I myself have tried to put some conceptual framework around use of such highly-charged language with racial overtones [and, of course, there are many] by seeing it in terms of multi-faceted “discourses of power”, be it from a sociological or political perspective.
In essence, I see use of the N word (and others) as having many dimensions where “in the blink of the eye” the meaning changes depending upon the context of the power discourse which is occurring [are you talking to or about the Man sitting above you in hierarchy, are you having a “coded” conversation with your revolutionary conspirators, are you looking to denigrate those beneath you, and so on in endless contextual nuance].
While I still struggle to understand him, I think that Foucault and his notion of seeing “discourses of power” in relational terms of what is actually happening rather than what is intended may be instructive. Thus, we should focus on the “historical discursive and practical conditions” that obtain today in the environment of "racial aggregations" [cafeteria-style, by normative choice, or otherwise] that we live in, in order to establish “truth-values” when the N word is used rather than trying to decipher the “intention” of the speaker using the term [because intentions can change “with the blink of an eye”]. In other words, it is the historical context that matters.
If you look then at what is actually going on in many sectors of our society today, I accept that it may well be necessary to be jolted into an awakening of consciousness of a desensitized power relationship or lack of freedom, as tibii puts it, “by naming it, [and] naming it obsessively.” And on that basis, the continued obsessive use of the N word may well be justified, but subject to an important qualification discussed below.
Bringing the subject back to the context of music and, in particular hip hop, I suggest that it may be precisely because the context of “communication by music” reaches a level of power discourse that has been “set aside” by humanity since time immemorial as representative of an “higher order of communion” between artist and listener, judgment about the appropriate or effective use of the N word may be: use it in music but trash it otherwise. This is a judgment that I, for one, can endorse; and I can say that I have really changed my mind about this upon reflection [thanks to tibii and a few other ardent followers of hip hop that I have met at this site].
*tibii: I take the liberty to hi-jack your comment at my profile and make it a separate blog for ease of accessiblility by others.
I haven’t read Beverly Tatum’s work, “Why Are All the Black Kids Sitting Together in the Cafeteria”, that tibii cites; but I often observe, as we all have, to this day the same-race “cafeteria phenomenon” which is, not surprisingly, quite the common norm in any multi-racial environment. Based on my own conversations with several scholars who have devoted their lives researching and writing about this tendency to hang-out with your “peer group” that is racially defined, I realize that the academic and popular literature on this subject is staggering.
I myself have tried to put some conceptual framework around use of such highly-charged language with racial overtones [and, of course, there are many] by seeing it in terms of multi-faceted “discourses of power”, be it from a sociological or political perspective.
In essence, I see use of the N word (and others) as having many dimensions where “in the blink of the eye” the meaning changes depending upon the context of the power discourse which is occurring [are you talking to or about the Man sitting above you in hierarchy, are you having a “coded” conversation with your revolutionary conspirators, are you looking to denigrate those beneath you, and so on in endless contextual nuance].
While I still struggle to understand him, I think that Foucault and his notion of seeing “discourses of power” in relational terms of what is actually happening rather than what is intended may be instructive. Thus, we should focus on the “historical discursive and practical conditions” that obtain today in the environment of "racial aggregations" [cafeteria-style, by normative choice, or otherwise] that we live in, in order to establish “truth-values” when the N word is used rather than trying to decipher the “intention” of the speaker using the term [because intentions can change “with the blink of an eye”]. In other words, it is the historical context that matters.
If you look then at what is actually going on in many sectors of our society today, I accept that it may well be necessary to be jolted into an awakening of consciousness of a desensitized power relationship or lack of freedom, as tibii puts it, “by naming it, [and] naming it obsessively.” And on that basis, the continued obsessive use of the N word may well be justified, but subject to an important qualification discussed below.
Bringing the subject back to the context of music and, in particular hip hop, I suggest that it may be precisely because the context of “communication by music” reaches a level of power discourse that has been “set aside” by humanity since time immemorial as representative of an “higher order of communion” between artist and listener, judgment about the appropriate or effective use of the N word may be: use it in music but trash it otherwise. This is a judgment that I, for one, can endorse; and I can say that I have really changed my mind about this upon reflection [thanks to tibii and a few other ardent followers of hip hop that I have met at this site].
*tibii: I take the liberty to hi-jack your comment at my profile and make it a separate blog for ease of accessiblility by others.
Comments

I failed to read your comment. Great observations. Use of the N word is complex. I have written various blog posts on it. Essentially I know I am not one but some people feel as though they use the word to identify not only a group of people but people who endear one another. It is such an odd reflection to use a degrading name but to say, you are my N to some people is like a hug. I see guys in the street say phrases like what up dawg and you are my N?! Though it is supposedly an endearing word for some in the harsh reality we all know it is used to be a degrading term to put down a cultural group.
Dr. Tatum who wrote the book you read is the president of the college that I graduated from in 1996 which is Spelman College. Although I never read the book, I can understand where she is coming from because I live it.
In most instances where you are a minority, you want to be around people who think and look like you . This happens early in school. If the teachers in school wanted to have racial harmony then they could have had the students in a cafeteria sit with different people every day instead of congregating around the same people.
For me, I went to a small private school. So everyone sat together who was in the same grade. It was not an issue of black or white but an issue of who was in my grade. Growing up with that mentality allowed me to have an open mind with race from a young age. However, not everyone is that fortunate to have that sensitivity.
Thanks for your thoughts!
_____________________________________
Reaction to the N word especially in music
http://www.last.fm/user/2Serenity/journal/2007/04/28/408467/
If you have to use the N word, then be constructive - Taalam Acey
http://serenitylife.vox.com/library/post/if-you-have-to-use-the-n-word-then-be-constructive---taalam-acey.html
More on Kara Walker Sparks my Weekly Discussion on Race
http://serenitylife.vox.com/library/post/more-on-kara-walker.html
** Hope all of this helps. Reading the comments are the read lesson!!
Ignorant,
Getting
Goals
Accomplished
-2PAC
Or like I was told by some German punks that some German "hip hop fans" yelled at them "We are in Germany, so wear hip hop clothes!". By which these German "hip hop fans" actually made clear, that a) they abuse hip hop for their nationalistic and presumably racist ideology, that b) they know less about hip hop than the punks, who of course laughed their heads off that these guys considered hip hop streetwear as an authentic German invention, and
c) that each and every good idea and ironic coolness is picked up by some stupid squares who make a mess of it. And of course there WILL be or ARE idiots who will say "Ah I see they call themselves n... so they are some kind of a subhuman being".
These racist idiots may even at the SAME TIME be so stupid to call themselves n.... and consider themselves the master race.
So indeed, as TheCapitalClinic pointed out, you cannot rely on anything to work in a special intended way.