The Fix

Nobody ever said making a second album was easy. This is especially the case for buzz bands, and doubly bad if your debut was dubbed “critically acclaimed” by those ever-important music mags or if your tunes received a cyber thumbs up straight from the blogosphere. On their second album Konk, Brighton-based Brit-pop outfit the Kooks struggle with the age-old dilemma of the anxiety of influence. This rugged pop foursome–who borrowed their quirky moniker from a David Bowie song–cite directly from their sonic sources on their sophomore effort, drawing inspiration from the British bands of rock’s past and present, revealing very little of their unique musical point of view.

Konk is a not-too-terrible amalgamation of the Kinks’ delicate rock-infused whimsy, the brash rebellion of the Who, and the defiant growl and over-confident swagger of the now defunct Libertines. The opener “See the Sun” could be mistaken for an early track by the latter, written on one of Pete Doherty’s sober and more optimistic days. “Down to the Market” revives the teen-friendly exuberance of the Undertone’s underage classic “Teenage Kicks,” and the feigned studio intimacy of “Tick of Time” combines the beautiful wistfulness of early Kinks tracks laced with a reggae-esque lazy drawl. All in all, Konk isn’t unlistenable; in fact its dozen-or-so tracks are pleasant pop ditties that would fit perfectly as the soundtrack for a lazy summer night at the pub or as background music for a sleazy-teen romantic scene in “Gossip Girl”. But if it’s British rock you’re craving, dust off your records and stick with the classics.

Don’t have time to search out this week’s essential MP3s, streams and viral videos? That’s why we’re here.

Radiohead: “All I Need (Live at the BBC)”
The best track from In Rainbows gets a faithful makeover in front of a reverent BBC audience. But listen closely and you can quietly hear Thom Yorke baring his soul on the lyric, “I’m an animal/ Trapped in your hot car.”
(via Six Eyes Media)

Dizzee Rascal “Sirens (Acid Girls Can Hear It Too Remix)”
As if this British rapper’s thick-accented rhymes weren’t mind-blowing enough, someone has gone and turned this song into full-tilt old school rave anthem. Anybody have a glo-stick we can borrow?
(via Online Home)


Flight of the Conchords “Business Time”
The funniest HBO singing comedy duo since Tenacious D delivers the least sexy slow-jam ever, plucked from its forthcoming Sub Pop album. We so want to hear R. Kelly cover this.
(via Julio Enriquez)


The Kooks “Always Where I Need”
The only flop-haired U.K. band worth keeping around, The Kooks return with another deceptively scrappy rock tune featuring chugging guitars and a shout-it-from-the-rooftops chorus.
(via Done Waiting)


Cut Copy “Lights and Music”
With its dizzying beats and driving bassline, this New Order-ish track is capable of transporting you to a booming nightclub without ever having to leave your couch. What are you going to do with the 15 bucks you just saved?
(via Sean Ryan Online)


Hayes Carll “I Got a Gig”
While Ryan Adams busies himself trying to win his model ex-girlfriend back with sniveling blog posts, the rest of the world can move on this Texan songwriter whose Townes Van Zandt style of barroom rock sounds so authentic it’s kind of freaking us out.
(via Left Over Cheese)


Tina Dico “On the Run”
The occasional Zero 7 collaborator and full-time Danish pop star breaks out of her down-tempo shell, convincingly rocking out on this burly new track from her latest solo album, Count To Ten.
(via box.net)

Don’t have time to search out this week’s essential MP3s, streams and viral videos? That’s why we’re here.

Death Cab For Cutie “I Will Possess Your Heart”
The first single from Death Cab For Cutie’s forthcoming album, Narrow Stairs, clocks in at nearly nine minutes and sounds far more frightening than anything the band has done before.
(Sixeyes)

The Breeders “Bang On”
Next month the Breeders return with another Steve Albini produced gem, Mountain Battles. The second track is stark, fuzzy and features the Deal sisters harmonizing over lopsided club beats, “I love no one/ No one loves me.” Genius.
(Stereogum)

The Stooges “Ray of Light (Live at the Rock and Roll Hall of Fame 2008 Induction Ceremony)”
Even though The Stooges have yet to earn a plaque on the wall, Iggy and his old band mates were more than happy to pay tribute to the decidedly un-rock and roll Madonna at this year’s induction ceremony. It’s as shirtless and surreal as you might expect.
(YouTube)

Dave Grohl and Will Ferrell “Leather and Lace”
Not the first two names that come to mind when casting the Don Henley and Stevie Nicks story, the Foo Fighters’ frontman and the “SNL” alum nearly make it through this tender cover without completely cracking each other up. The best part is that this expletive laced performance was for a benefit concert for kids.
(YouTube)

The Kooks “Young Folks”
To get fully psyched for the second album by the young British rockers, immerse yourself in this satisfyingly messy cover of Peter Bjorn and John’s ubiquitous hit with guest vocals by Canadian singer Simon Wilcox.
(I Am Fuel, You Are Friends)

Portishead “Silence”
How does the first new Portishead song in 11 years sound? A bit like scanning the radio dial in South America while watching a chase scene in one of the more recent James Bond movies. Dark and scary.
(I Am Fuel, You Are Friends)

The Ting Tings “Great DJ”
An excellent shouty electro-pop track from hyperactive Brit boy-girl duo made even better with this sleek club makeover courtesy of Mr. Harris. “The drums, the drums, the drums. . .”
(Check The Availability)

R.E.M. “I’m Gonna DJ”
The second leaked track from R.E.M.’s Accelerate hits even harder than the first, with Michael Stipe once again alluding to past glories: “I’m gonna DJ at the end of the world.” And he’ll feel fine.
(The Swill Merchant)

The Rolling Stones “You Can’t Always Get What You Want (Soulwax Remix)”
An incredible reworking of the Stones classic that surgically removes the original rhythm section and replaces it with some seriously messed up robot rock. It sounds like a mistake, but only in a good way.
(Digital Eargasm)